![]() I won’t put a link to examples because the demos will have reaching for a sick bag.įinally, if you are into pads, pointed me in the direction of Luftrum’s Lunaris. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX. The main sounds designer is Kevin Schroeder, who has some pretty amazing credits Kevin Schroeder - IMDb. Pigments by Arturia is a Virtual Instrument Audio Plugin for macOS and Windows. ![]() PS: Given the sort of trashy old fashioned electronic / trance stuff I tend to, my goto is DUNE 3. Acoustic guitar sounds have now been centred on the ‘Nylon Sky’ add on to Omnisphere. So, I’d tick your box for Pigments, but maybe put 'best in class '.Īlso, of course, Spectrasonics essentially focussed all keyboard sounds in Keyscape, and bass sounds in Trilian. 106 exciting and very deeply programmed sounds for Pigments 2 goes to territory not found in the factory presets. You can almost do a track from some Pigments patches. Pigments is much more ‘edgy’ (‘modern’?), whereas if you look at the user list for Omnisphere is largely about film scoring. I think Pigments is a great synth to have - I love it -, and not all that much overlaps the massive range of sound in Omnisphere. I don’t think there is a ‘best’, as most synths try and target at a niche. Alot of patch possebilitys and very nice sounding Filter. Omnisphre, so I’m bad at saying the best. Flexibel Vst with a nice way to show what is happening in your patch.
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